Descargas | el 28 de Julio del 2011

Guitar Pro Final Multilenguaje (Español) (WIN/LINUX/MAC)




Con Guitar Pro serás capaz de aprender a tocar, componer y mejorar tus habilidades con la guitarra.
La aplicación está diseñada para abarcar todos aquellos instrumentos de cuerda que tienen entre 4 y 7 cuerdas, como por ejemplo la guitarra, el bajo, el banjo, la mandolina, etc.
Te ofrece un editor multipista para tablas, que incluye la mayoría de los símbolos de notas que te permiten ver y escuchar las canciones con una representación precisa de los efectos de guitarrá así como también alguans herramientas que ayudan a mejorar los conocimientos de guitarra.
Entre estas herramientas se puede mencionar el sintonizador digital de la guitarra, los diagramas con acordes, la ´posibilidad de importar o exportar cientos de partituras que hay disponibles en internet, etc.
Además tiene capacidad para configurar automáticamente la posición vertical de los diversos elementos de la partitura, y puede agragar de forma automática las barras entre las pistas de la partitura.

NOMBRE: Guitar.Pro.6.0.9.r9934
IDIOMA: Multilenguaje .incl. esp
VERSION: 6.0.9 R9934
MEDICINA: Incluido + Instrucciones

Download
Guitar.Pro.v6.0.9.r9934.Windows
Guitar.Pro.v6.0.9.r9934.MacOSX
Guitar.Pro.v6.0.9.r9934.Linux

SoundBanks
(parte intercambiables)

Mirros-1
Soundbanks.part_1
Soundbanks.part_2
Soundbanks.part_3
Soundbanks.part_4
Mirros-2
Soundbanks.part_1
Soundbanks.part_2
Soundbanks.part_3
Soundbanks.part_4
Soundbanks.part_5
Soundbanks.part_6
Mirros-3
Soundbanks.part_1
Soundbanks.part_2
Soundbanks.part_3
Soundbanks.part_4
Soundbanks.part_5
Soundbanks.part_6

Collecion de tab para guitar-pro 156.000 + 5.000 de Power-tab que las pueden importar a Guitat-pro
(parte intercambiables)

Mirros-1
Collecion_de_tab_1
Collecion_de_tab_2
Collecion_de_tab_3
Collecion_de_tab_4
Collecion_de_tab_5
Mirros-2
Collecion_de_tab_1
Collecion_de_tab_2
Collecion_de_tab_3
Collecion_de_tab_4
Collecion_de_tab_5


Curso de Guitarra
cuando descarguen el  archivo Guitar.v6.0.9.r9934 win,mac o linux se van a encontrar   un archivo llamado Guitar-method-en.zip es un curso de guitarra desde cero echo para guitar-pro

Aca el contenido:


Table of Contents 0
Chapter
Fundamentals
1 The guitar....................................................................................................................11
Introduction........................................................................................................................................11
●The Classical Guitar....................................................................................................................11
●The Folk Guitar...........................................................................................................................12
●The Electric Guitar......................................................................................................................12
●Holding position for each type of guitar.....................................................................................13
• Classical guitar......................................................................................................................13
• Folk guitar.............................................................................................................................14
• Electric guitar........................................................................................................................15
A bit of history....................................................................................................................................16
Tunings...............................................................................................................................................17
●Standard tuning...........................................................................................................................17
●Open tunings...............................................................................................................................17
• Open G..................................................................................................................................17
• Open D..................................................................................................................................17
• Open E...................................................................................................................................18
• Open A..................................................................................................................................18
• Open C..................................................................................................................................18
●Metal tunings..............................................................................................................................18
• Eb tuning: standard flattened by a half step..........................................................................18
• D tuning: one whole step down.............................................................................................18
• Standard 7 strings..................................................................................................................19
The notes on the guitar.......................................................................................................................19
The notes on the staff.........................................................................................................................20
Tablatures...........................................................................................................................................21
2 The Hands...................................................................................................................22
Introduction........................................................................................................................................22
The nails.............................................................................................................................................23
The rest-stroke technique................................................................................................................23
The free-stroke technique...............................................................................................................24
Rhythm and accompaniment..............................................................................................................25
●Playing rhythm............................................................................................................................25
●Accompanying ...........................................................................................................................25
●Playing arpeggios........................................................................................................................25
Playing themes...................................................................................................................................26
Playing solos.......................................................................................................................................26
3 The Plectrum, or Pick................................................................................................27
Introduction........................................................................................................................................27
3
Holding the plectrum..........................................................................................................................27
Notation..............................................................................................................................................28
Exercise..............................................................................................................................................28
4 The Elements of a Score.............................................................................................29
The bars..............................................................................................................................................29
The clef...............................................................................................................................................29
The time signature..............................................................................................................................29
●2/4 (two four time) bars...........................................................................................................30
●4/4 (common time) bars..........................................................................................................31
●6/8 (six eight time) bars...........................................................................................................31
Musical symbols.................................................................................................................................32
●Repeat signs................................................................................................................................32
5 Rhythm........................................................................................................................34
Introduction........................................................................................................................................34
Whole notes (semibreves)..................................................................................................................34
Half notes (minims)............................................................................................................................34
Quarter notes (crotchets)....................................................................................................................35
Eighth notes (quavers)........................................................................................................................35
Sixteenth notes (semiquavers)............................................................................................................35
Thirty-second notes (demisemiquavers).............................................................................................36
Triplets................................................................................................................................................36
Rests and corresponding notations.....................................................................................................37
6 The Scales....................................................................................................................38
Definition............................................................................................................................................38
Patterns...............................................................................................................................................39
●The major scale...........................................................................................................................39
●The minor scale...........................................................................................................................39
●Relative scales.............................................................................................................................40
●The blues scale............................................................................................................................40
Intervals..............................................................................................................................................40
The key signature...............................................................................................................................41
Finding out the key of a score............................................................................................................42
●The key signature........................................................................................................................42
●The ending note or chord............................................................................................................43
Improvisation......................................................................................................................................43
7 The Chords..................................................................................................................45
Definition............................................................................................................................................45
The nature of chords...........................................................................................................................45
●Major or minor?..........................................................................................................................46
●Using chords...............................................................................................................................46
• Strumming full strokes..........................................................................................................47
• Arpeggio ...............................................................................................................................47
• Half-chords............................................................................................................................47
●Chord structures..........................................................................................................................47
4
• Major chords.........................................................................................................................47
• Minor chords (m)..................................................................................................................48
• Seventh chords, or dominant seventh chords (7)..................................................................49
• Minor seventh chords (m7)...................................................................................................50
• Major seventh chords (7M)...................................................................................................51
• The minor seventh flat fifth chord (m75b)............................................................................51
●Accompanying with style...........................................................................................................52
• Folk style...............................................................................................................................53
• Rock style..............................................................................................................................53
• Jazz........................................................................................................................................53
• Blues......................................................................................................................................54
• Metal.....................................................................................................................................54
8 Techniques...................................................................................................................56
Definition............................................................................................................................................56
Sliding................................................................................................................................................56
Hammer-on.........................................................................................................................................57
Pull-off................................................................................................................................................57
Bend....................................................................................................................................................58
Tapping...............................................................................................................................................59
Sweep picking....................................................................................................................................60
Muffled notes – palm muting.............................................................................................................61
Open-string (or natural) harmonics....................................................................................................61
Fretted harmonics...............................................................................................................................62
●On the classical guitar: artificial harmonics............................................................................62
●On the electric guitar: pinched harmonics...............................................................................63
Bottleneck, or slide guitar..................................................................................................................63
Open strings........................................................................................................................................64
Legato.................................................................................................................................................64
Vibratos...............................................................................................................................................65
●The tremolo bar...........................................................................................................................65
●Left-hand vibrato........................................................................................................................66
The capo.............................................................................................................................................66
Capo second fret.................................................................................................................................67
Fingerpicking......................................................................................................................................67
9 Applying the techniques.............................................................................................68
Introduction........................................................................................................................................68
Sliding................................................................................................................................................68
Hammer-on.........................................................................................................................................71
Pull-off................................................................................................................................................72
Mixing hammer-ons and pull-offs......................................................................................................73
Bend....................................................................................................................................................75
Tapping...............................................................................................................................................77
Sweep picking....................................................................................................................................80
Sweep picking and tapping.................................................................................................................81
Sweep picking, tapping and sliding....................................................................................................82
5
Palm mute...........................................................................................................................................83
Muffled strings...................................................................................................................................84
Natural harmonics..............................................................................................................................86
Pinched harmonics (electric guitar)....................................................................................................87
Tapped harmonics...............................................................................................................................89
Bottleneck guitar................................................................................................................................89
Open strings........................................................................................................................................90
Legato.................................................................................................................................................92
Left-hand vibrato ...............................................................................................................................94
Using the capo....................................................................................................................................95
The tremolo bar..................................................................................................................................96
Finger-picking....................................................................................................................................98
Unabridged Study Pieces
10 Classique...................................................................................................................100
Content.............................................................................................................................................100
Rhythmic patterns.............................................................................................................................100
Particular technical points................................................................................................................100
Determining the key.........................................................................................................................103
Determining the scales.....................................................................................................................103
Determining the chords....................................................................................................................103
Exercises...........................................................................................................................................104
11 Folk............................................................................................................................111
Content..............................................................................................................................................111
Rhythmic patterns.............................................................................................................................111
Particular technical points ................................................................................................................111
Determining the key.........................................................................................................................114
Determining the scales......................................................................................................................115
Determining the chords....................................................................................................................115
Exercises...........................................................................................................................................116
12 Rock..........................................................................................................................121
Content.............................................................................................................................................121
Rhythmic patterns.............................................................................................................................121
Particular technical points................................................................................................................121
Determining the key.........................................................................................................................125
Determining the scales ....................................................................................................................125
Determining the chords....................................................................................................................126
Exercises...........................................................................................................................................126
13 Jazz............................................................................................................................135
Content.............................................................................................................................................135
Rhythmic patterns.............................................................................................................................135
Particular technical points................................................................................................................135
Determining the key.........................................................................................................................139
6
Determining the scales.....................................................................................................................139
Determining the chords....................................................................................................................139
Exercises...........................................................................................................................................140
14 Blues..........................................................................................................................150
Content.............................................................................................................................................150
Rhythmic patterns.............................................................................................................................150
Particular technical points................................................................................................................150
Determining the key.........................................................................................................................154
Determining the scales.....................................................................................................................155
Determining the chords....................................................................................................................155
Exercises...........................................................................................................................................156
15 Metal.........................................................................................................................163
Content.............................................................................................................................................163
Rhythmic patterns.............................................................................................................................163
Particular technical elements............................................................................................................163
Determining the key.........................................................................................................................166
Determining the scales.....................................................................................................................166
Determining the chords....................................................................................................................167
Exercises...........................................................................................................................................167
Going Further
16 Sound Engineering..................................................................................................172
The classical guitar...........................................................................................................................172
●The traditional classical guitar..................................................................................................172
●The electro-acoustic classical guitar.........................................................................................173
The acoustic folk guitar....................................................................................................................173
The electric guitar.............................................................................................................................173
Sound amplification.........................................................................................................................173
●The various kinds of amplifiers ...............................................................................................174
●Some amplification settings......................................................................................................175
Effect pedals and pedalboards..........................................................................................................175
●The wah-wah pedal...................................................................................................................176
●Delay.........................................................................................................................................176
●Reverberation............................................................................................................................176
●Whammy...................................................................................................................................176
●Phaser........................................................................................................................................176
●Chorus.......................................................................................................................................177
●Envelope filter...........................................................................................................................177
●Flanger......................................................................................................................................177
●Compressor...............................................................................................................................177
●Tuner.........................................................................................................................................177
17 Daily Practice...........................................................................................................178
Chromatic scales...............................................................................................................................178